Djirrirra Wukunmurra Yukuwa

Djirrirra Wukunmurra Yukuwa

Biography: 

|L|5:<p>Djirrirra Wukunmurra Yukuwa has been painting at Buku-Larrnggay for over two decades and demonstrated great talent from an early age. In 1997 she assisted her father, Yanggarriny Wunungmurra (1932 &ndash; 2003) on his award winning bark in the prestigious annual National Aboriginal &amp; Torres Strait Islander Award (NATSIAA).</p>
<p>Djirrirra&rsquo;s father granted her authority to paint her own works whilst he was alive. Her precise hand and geometric style has increasingly attracted enthusiastic interest from the art world. In 2007 she was selected for <em>Cross Currents</em>, a major art survey at the Museum of Contemporary Art in Sydney. Her rise to a level of notice was cemented when she was announced Winner of the TOGA Northern Territory Contemporary Art Award in 2008.</p>
<p>Djirrirra has gone on to exhibit around Australia and in the US and China. In 2012 she followed her father and brother as a Telstra NATSIAA winner with Best Bark at the 29th NATSIAA with a new theme, <em>Yukuwa</em>, which is the theme of her works in House 17, Luxembourg.</p>
<p><em>Yukuwa</em> is one of the personal names of the artist, as well as being the name of a native yam whose annual reappearance is a metaphor for the increase and renewal of the people and their land. In many ways, it is almost a self-portrait. This motif first arose when she had been challenged about her right to paint <em>Buyku</em>, the fishtrap imagery of her own clan and homeland, by a family member. Rather than argue, she retorted by painting imagery which in one sense is her own personal identity. The complaints in relation to <em>Buyku</em> evaporated but Djirrirra has persisted with the Yukuwa imagery.</p>
<p>In 2010, Djirrirra was selected for <em>Larrakitj, the Kerry Stokes Collection</em> at the Museum of Contemporary Art as part of the 17<sup>th</sup> Sydney Biennale. By 2013, Djirrirra followed fellow Buku-Larrŋggay artist Gunybi Ganambarr into extending her use of media beyond naturally occurring ochres and bark to include recycled found industrial waste materials such as MDF, Perspex louvres, and even a sheet of asbestos! In this year she again visited the US as part of a print collaboration between the Yirrkala Print Space and the Tamarind Institute where she worked with American Indigenous artists in Albuquerque.</p>
<p>Djirrirra is again a 2017 Telstra NATSIAA finalist.</p>
<p><strong>Selected Collections</strong></p>
<p>National Gallery of Australia, Canberra</p>
<p>Art Gallery of New South Wales, Sydney</p>
<p>Museum and Art Gallery of the Northern Territory, Darwin</p>
<p>Queensland Art Gallery | Gallery of Modern Art, Brisbane</p>
<p>Artbank, Australian Government</p>|~|6:<p>Djirrirra Wukuŋmurra Yukuwa malt in Buku-Larrnggay seit mehr als zwanzig Jahren. Sie konnte ihr Talent bereits als junges M&auml;dchen zeigen, als sie ihrem Vater Yanggarriny Wunungmurra (1932&ndash;2003) bei dessen Rinde half, die den prestigetr&auml;chtigen j&auml;hrlichen <em>National Aboriginal &amp; Torres Strait Islander Award</em> (NATSIAA) gewann. Ihre pr&auml;zise Hand und geometrischer Stil sind im Laufe der Jahre mehr und mehr auf weltweites enthusiastisches Interesse gesto&szlig;en. In 2007 wurde sie f&uuml;r <em>Cross Currents</em> ausgew&auml;hlt, eine wichtige Kunstschau im Museum of Contemporary Art in Sydney. In 2008 gewann sie den wichtigen <em>TOGA Northern Territory Contemporary Art Award</em>.</p>
<p>Djirrirra hat in Australia, den USA und China ausgestellt. In 2012 gewann sie, wie ihr Vater und Bruder vor ihr, den 29. Telstra NATSIAA mit einem neuen Thema: <em>Yukuwa</em>. Das ist auch das Thema ihrer Werke im House 17 in Luxembourg.</p>
<p><em>Yukuwa</em>&nbsp;ist einer der pers&ouml;nlichen Namen der K&uuml;nstlerin und auch der Name der heimischen Yam, deren j&auml;hrliche Wiederkehr eine Metapher f&uuml;r Wachstum und Erneuerung der Menschen ihres angestammten Landes ist. In vieler Hinsicht ist <em>Yukuwa</em>&nbsp;daher fast ein Selbstportr&auml;t.</p>
<p>In 2010 wurde Djirrirra f&uuml;r <em>Larrakitj, the Kerry Stokes Collection</em>&nbsp;im Museum of Contemporary Art als Teil der 17.&nbsp;Sydney Biennale ausgew&auml;hlt. In 2013 besuchte Djirrirra erneut die USA, um im Rahmen der Kooperation zwischen Yirrkala Print Space und dem Tamarind Institute mit amerikanischen Ureinwohner-K&uuml;nstlern in Albuquerque zusammenzuarbeiten.</p>
<p>Djirrirra ist wieder eine der Finalistinnen im 2017 Telstra NATSIAA.</p>
<p><strong>Ausgew&auml;hlte Sammlungen</strong></p>
<p>National Gallery of Australia, Canberra</p>
<p>Art Gallery of New South Wales, Sydney</p>
<p>Museum and Art Gallery of the Northern Territory, Darwin</p>
<p>Queensland Art Gallery | Gallery of Modern Art, Brisbane</p>
<p>Artbank, Australian Government</p>|~|18:<p>Depuis plus de vingt ans, Djirrirra Wukunmurra Yukuwa peint &agrave; Buku-Larrŋggay. &Eacute;tant jeune fille, elle a d&eacute;j&agrave; pu montrer son talent quand elle aida son p&egrave;re Yanggarriny Wunungmurra (1932&ndash;2003) avec son &eacute;corce qui gagna le prix prestigieux et annuel <em>National Aboriginal &amp; Torres Strait Islander Award</em> (NATSIAA). Sa main pr&eacute;cise et son style g&eacute;om&eacute;trique ont rencontr&eacute; au cours des ann&eacute;es de plus en plus d&rsquo;enthousiasme et d&rsquo;int&eacute;r&ecirc;t mondialement. En 2007, elle fut s&eacute;lectionn&eacute;e pour <em>Cross Currents</em>, une exposition importante au Museum of Contemporary Art &agrave; Sydney. En 2008, elle a gagn&eacute; l&rsquo;important <em>TOGA Northern Territory Contemporary Art Award</em>.</p>
<p>Djirrirra a expos&eacute; en Australie, aux &Eacute;tats-Unis et en Chine. En 2012, comme son p&egrave;re et son fr&egrave;re avant elle, elle gagne le 29e Telstra NATSIAA avec un nouveau sujet : <em>Yukuwa</em>. Ceci est aussi le sujet de ses &oelig;uvres au House 17 au Luxembourg.</p>
<p><em>Yukuwa</em>&nbsp;est un des noms personnels de l&rsquo;artiste et aussi le nom de l&rsquo;Igname end&eacute;mique dont la r&eacute;apparition annuelle repr&eacute;sente une m&eacute;taphore pour la croissance et le renouveau des &ecirc;tres-humains de son pays. &Agrave; plusieurs &eacute;gards, <em>Yukuwa</em>&nbsp;est presque un autoportrait.</p>
<p>En 2010, Djirrirra est s&eacute;lectionn&eacute;e pour <em>Larrakitj, the Kerry Stokes Collection</em>&nbsp;du Museum of Contemporary Art lors de la 17e Biennale de Sydney. En 2013, Djirrirra passe de nouveau du temps aux &Eacute;tats-Unis pour collaborer avec des artistes aborig&egrave;nes am&eacute;ricains dans le cadre de la coop&eacute;ration entre Yirrkala Print Space et le Tamarind Institute &agrave;&nbsp; <!--[if gte mso 9]><xml>
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<![endif]--> <!--StartFragment-->Albuquerque<!--EndFragment-->.</p>
<p>Djirrirra est, une fois de plus, une des finalistes du 2017 Telstra NATSIAA.</p>
<p><strong>Collections s&eacute;lectionn&eacute;es</strong></p>
<p>National Gallery of Australia, Canberra</p>
<p>Art Gallery of New South Wales, Sydney</p>
<p>Museum and Art Gallery of the Northern Territory, Darwin</p>
<p>Queensland Art Gallery | Gallery of Modern Art, Brisbane</p>
<p>Artbank, Australian Government</p>

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